The rights provisions separate from the guild agreement contain different rights which, in certain circumstances, are reserved for screen and television authors. The section is notoriously complicated – it spans dozens of pages – but, for all their details, the clauses do not clearly explain how to determine whether or not a stage production is an exploitation of the dramatic rights to the original film. In the past, creative rights were more difficult to negotiate than excessive compensation. Despite this experience, there is no legal obstacle for authors and their representatives to negotiate excessive cases in the areas of creative rights. These provisions would generally not cost the employer more money, provide the author with a more satisfying employment relationship, and would likely lead to better film or television programming. This information should raise writers` awareness of writers` rights under the guild agreement and expand opportunities for authors to negotiate expanded creative rights in their individual contracts. The first way out of the settlement of certain disputes referred to in Article 48 (professional status of writers) is a telephone line between the guild and the companies. If no solution is found within seven days of the guild`s first contact with the representative of the business telephone line, the guild may settle disputes described as different. The emergency appeal procedure was conceived as an informal and rapid method of trying to resolve claims without having to resort to more controversial legal proceedings. The guild prefers to see the author because of the MBA`s creative involvement than to demand damages of money for the perpetrator after an offense. During the negotiations, the companies said they preferred it as well.
The emergency appeal procedure has been put in place for this purpose. That is why we ask authors to promptly call the guild if their creative rights have been violated under Article 48 (Professional Status of Writers). The component of the WGAw is called president`s Committee on the Professional Status of Writers. Members of the Writers Guild of America, West Committee, as well as delegates from the Writers Guild of America, the East Creative Rights Committee, meet to set the WGA`s creative rights agenda. The Committee also serves to focus on broader guild efforts in the creative fields and to improve the professional and creative status of writers in general. A separation agreement is a document used by two people in a marriage to divide their property and responsibilities in preparing for a separation or divorce. In addition to creative rights, this section of the MBA sets up the Writers` Professional Status Committee….